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Chapters in this book
- Frontmatter I
- Contents VII
- Acknowledgments IX
- Introduction: Writing Feminist Criticism 1
-
I. Reading Women’s Writing
- 1. Emphasis Added: Plots and Plausibilities in Women’s Fiction 25
- 2. Writing Fictions: Women’s Autobiography in France 47
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II. The Subjects of Feminist Criticism
- 3. The Text’s Heroine: A Feminist Critic and Her Fictions 67
- 4. Arachnologies: The Woman, the Text, and the Critic 77
- 5. Changing the Subject: Authorship, Writing, and the Reader 102
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III. Feminist Signatures: Coming to Writing in France, 1747–1910
- 6. The Knot, the Letter, and the Book: Graffigny’s Peruvian Letters 125
- 7. Performances of the Gaze: Stael’s Corinne, or Italy 162
- 8. Writing from the Pavilion: George Sand and the Novel of Female Pastoral 204
- 9. Woman of Letters: The Return to Writing in Colette’s The Vagabond 229
- Works Cited 265
- Index 277
Chapters in this book
- Frontmatter I
- Contents VII
- Acknowledgments IX
- Introduction: Writing Feminist Criticism 1
-
I. Reading Women’s Writing
- 1. Emphasis Added: Plots and Plausibilities in Women’s Fiction 25
- 2. Writing Fictions: Women’s Autobiography in France 47
-
II. The Subjects of Feminist Criticism
- 3. The Text’s Heroine: A Feminist Critic and Her Fictions 67
- 4. Arachnologies: The Woman, the Text, and the Critic 77
- 5. Changing the Subject: Authorship, Writing, and the Reader 102
-
III. Feminist Signatures: Coming to Writing in France, 1747–1910
- 6. The Knot, the Letter, and the Book: Graffigny’s Peruvian Letters 125
- 7. Performances of the Gaze: Stael’s Corinne, or Italy 162
- 8. Writing from the Pavilion: George Sand and the Novel of Female Pastoral 204
- 9. Woman of Letters: The Return to Writing in Colette’s The Vagabond 229
- Works Cited 265
- Index 277