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8. Kurosawa Akira’s Ikiru , or, the Impossibility of Metaphor
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Michael Lucken
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction 1
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PART I. A Historical Construction
- 1. Copycat Japan 9
- 2. The West and the Invention of Creation 20
- 3. The Denial, Rejection, and Sublimation of Imitation 29
- 4. No Poaching 37
- 5. Seen from Japan 43
- 6. The Logic of Reflection in Nakai Masakazu 61
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PART II. A New Place for Imitation
- 7. Kishida Ryūsei’s Portraits of Reiko, or, How Can Ghosts 75 Be at Work? 75
- 8. Kurosawa Akira’s Ikiru , or, the Impossibility of Metaphor 107
- 9. Araki Nobuyoshi’s Sentimental Journey—Winter , or, 137 Eternal Bones 137
- 10. Miyazaki Hayao’s Spirited Away , or, the Adventure of 175 the Obliques 175
- Conclusion 201
- Notes 207
- Select Bibliography 231
- Index 237
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction 1
-
PART I. A Historical Construction
- 1. Copycat Japan 9
- 2. The West and the Invention of Creation 20
- 3. The Denial, Rejection, and Sublimation of Imitation 29
- 4. No Poaching 37
- 5. Seen from Japan 43
- 6. The Logic of Reflection in Nakai Masakazu 61
-
PART II. A New Place for Imitation
- 7. Kishida Ryūsei’s Portraits of Reiko, or, How Can Ghosts 75 Be at Work? 75
- 8. Kurosawa Akira’s Ikiru , or, the Impossibility of Metaphor 107
- 9. Araki Nobuyoshi’s Sentimental Journey—Winter , or, 137 Eternal Bones 137
- 10. Miyazaki Hayao’s Spirited Away , or, the Adventure of 175 the Obliques 175
- Conclusion 201
- Notes 207
- Select Bibliography 231
- Index 237