Kapitel in diesem Buch

1. Frontmatter I
2. Acknowledgments VII
3. Contents IX
4. Introduction XI
5. Preface 1
6. I. On Tao, the Source 8
7. II. Evidence from the Sage 13
8. III. The Classics as Literary Sources 17
9. IV. Emendation of Apocrypha 21
10. V. An Analysis of Sao 25
11. VI. An Exegesis of Poetry 31
12. VII. Musical Poetry (Yüeh-fu) 39
13. VIII. Elucidation of Fu 45
14. IX. Ode and Pronouncement (The Sung and the Tsan) 49
15. X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) 54
16. XI. Inscription and Exhortation (The Ming and the Chen) 59
17. XII. Elegy and Stone Inscription (The Lei and the Pei) 64
18. XIII. Lament and Condolence (The Ai and the Tiao) 68
19. XIV. Miscellaneous Writings 73
20. XV. Humor and Enigma (The Hsieh and the Yin) 78
21. XVI. Historical Writings 83
22. XVII. Speculative Writings 94
23. XVIII. Treatise and Discussion (The Lun and the Shuo) 101
24. XIX. Edict and Script (The Chao and the Ts’e) 108
25. XX. War Proclamation and Dispatch (The Hsi and the I) 116
26. XXI. Sacrifices to Heaven and Earth (Feng Shan) 121
27. XXII. Memorial, Part I (The Chang and the Piao) 126
28. XXIII. Memorial, Part II (The Tsou and the Ch’i) 130
29. XXIV. Discussion and Answer (The I and the Tui) 136
30. XXV. Epistolary Writing (The Shu and the Chi) 144
31. XXVI. Spiritual Thought or Imagination (Shen-ssu) 154
32. XXVII. Style and Nature (T’i-hsing) 158
33. XXVIII. The Wind and the Bone (Feng-ku) 162
34. XXIX. Flexible Adaptability to Varying Situations (T’ung-pien ) 165
35. XXX. On Choice of Style 169
36. XXXI. Emotion and Literary Expression 174
37. XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts’ai) 179
38. XXXIII. Musicalness 182
39. XXXIV. Paragraph and Sentence 186
40. XXXV. Linguistic Parallelism 190
41. XXXVI. Metaphor and Allegory (Pi and Hsing) 195
42. XXXVII. Embellishment as Description 198
43. XXXVIII. Factual Allusion and Textual Reference 202
44. XXXIX. Philology and Choice of Words 208
45. XL. The Recondite and the Conspicuous (Yin-hsiu) 214
46. XLI. Literary Flaws 216
47. XLII. The Nourishing of Vitality 222
48. XLIII. Organization (Fu-hui) 225
49. XLIV. Discussion on the Art of Writing (Tsung-shu) 229
50. XLV. Literary Development and Time (Shih-hsu) 233
51. XLVI. The Physical World 245
52. XLVII. Literary Talents 249
53. XLVIII. An Understanding Critic (Chih-Yin) 258
54. XLIX. The Capacity of a Vessel (Ch’eng-ch’i) 264
55. Glossary 269
56. Index 277