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8. Hegemony and Identity in the Colonial Experience of Taiwan, 1895–1945
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Chapters in this book
- Frontmatter i
- Contents vii
- Figures xi
- Tables xiii
- Preface xv
- Taiwan Under Japanese Colonial Rule, 1895–1945: History, Culture, Memory 1
-
Part 1. Rethinking Colonialism and Modernity: Historical and Theoretical Case Studies
- 1. A Perspective on Studies of Taiwanese Political History: Reconsidering the Postwar Japanese Historiography of Japanese Colonial Rule in Taiwan 19
- 2. The Japanese Colonial State and Its Form of Knowledge in Taiwan 37
- 3. The Formation of Taiwanese Identity and the Cultural Policy of Various Outside Regimes 62
- 4. Print Culture and the Emergent Public Sphere in Colonial Taiwan, 1895–1945 78
-
Part 2. Colonial Policy and Cultural Change
- 5. Shaping Administration in Colonial Taiwan, 1895–1945 97
- 6. The State of Taiwanese Culture and Taiwanese New Literature in 1937: Issues on Banning Chinese Newspaper Sections and Abolishing Chinese Writings 122
- 7. Colonial Modernity for an Elite Taiwanese, Lim Bo-seng: The Labyrinth of Cosmopolitanism 141
- 8. Hegemony and Identity in the Colonial Experience of Taiwan, 1895–1945 160
-
Part 3. Visual Culture and Literary Expressions
- 9. Confrontation and Collaboration: Traditional Taiwanese Writers’ Canonical Reflection and Cultural Thinking on the New-Old Literatures Debate During the Japanese Colonial Period 187
- 10. Colonialism and the Predicament of Identity: Liu Na’ou and Yang Kui as Men of the World 210
- 11. Colonial Taiwan and the Construction of Landscape Painting 248
- 12. An Author Listening to Voices from the Netherworld: Lu Heruo and the Kuso Realism Debate 262
-
Part 4. From Colonial to Postcolonial: Redeeming or Recruiting the Other?
- 13. Reverse Exportation from Japan of the Tale of ‘‘The Bell of Sayon’’: The Central Drama Group’s Taiwanese Performance and Wu Man-sha’s The Bell of Sayon 279
- 14. Gender, Ethnography, and Colonial Cultural Production: Nishikawa Mitsuru’s Discourse on Taiwan 294
- 15. Were Taiwanese Being ‘‘Enslaved’’? The Entanglement of Sinicization, Japanization, and Westernization 312
- 16. Reading the Numbers: Ethnicity, Violence, and Wartime Mobilization in Colonial Taiwan 327
- 17. The Nature of Minzoku Taiwan and the Context in Which It Was Published 358
- Notes on Contributors 389
- Index 391
Chapters in this book
- Frontmatter i
- Contents vii
- Figures xi
- Tables xiii
- Preface xv
- Taiwan Under Japanese Colonial Rule, 1895–1945: History, Culture, Memory 1
-
Part 1. Rethinking Colonialism and Modernity: Historical and Theoretical Case Studies
- 1. A Perspective on Studies of Taiwanese Political History: Reconsidering the Postwar Japanese Historiography of Japanese Colonial Rule in Taiwan 19
- 2. The Japanese Colonial State and Its Form of Knowledge in Taiwan 37
- 3. The Formation of Taiwanese Identity and the Cultural Policy of Various Outside Regimes 62
- 4. Print Culture and the Emergent Public Sphere in Colonial Taiwan, 1895–1945 78
-
Part 2. Colonial Policy and Cultural Change
- 5. Shaping Administration in Colonial Taiwan, 1895–1945 97
- 6. The State of Taiwanese Culture and Taiwanese New Literature in 1937: Issues on Banning Chinese Newspaper Sections and Abolishing Chinese Writings 122
- 7. Colonial Modernity for an Elite Taiwanese, Lim Bo-seng: The Labyrinth of Cosmopolitanism 141
- 8. Hegemony and Identity in the Colonial Experience of Taiwan, 1895–1945 160
-
Part 3. Visual Culture and Literary Expressions
- 9. Confrontation and Collaboration: Traditional Taiwanese Writers’ Canonical Reflection and Cultural Thinking on the New-Old Literatures Debate During the Japanese Colonial Period 187
- 10. Colonialism and the Predicament of Identity: Liu Na’ou and Yang Kui as Men of the World 210
- 11. Colonial Taiwan and the Construction of Landscape Painting 248
- 12. An Author Listening to Voices from the Netherworld: Lu Heruo and the Kuso Realism Debate 262
-
Part 4. From Colonial to Postcolonial: Redeeming or Recruiting the Other?
- 13. Reverse Exportation from Japan of the Tale of ‘‘The Bell of Sayon’’: The Central Drama Group’s Taiwanese Performance and Wu Man-sha’s The Bell of Sayon 279
- 14. Gender, Ethnography, and Colonial Cultural Production: Nishikawa Mitsuru’s Discourse on Taiwan 294
- 15. Were Taiwanese Being ‘‘Enslaved’’? The Entanglement of Sinicization, Japanization, and Westernization 312
- 16. Reading the Numbers: Ethnicity, Violence, and Wartime Mobilization in Colonial Taiwan 327
- 17. The Nature of Minzoku Taiwan and the Context in Which It Was Published 358
- Notes on Contributors 389
- Index 391