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Chapter Two. Pedro Almodóvar’s Criminal Side: Plot, Humour and Cinematic Style
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
-
Part I: Spain
- Chapter One. First Loves, First Cuts: The Initial Response to Hitchcock’s Films in Spain 15
- Chapter Two. Pedro Almodóvar’s Criminal Side: Plot, Humour and Cinematic Style 63
- Chapter Three. Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy 133
- Chapter Four. Against Hitchcock: Alejandro Amenabar's Meteoric Career 183
-
Part II: Latin America
- Chapter Five. Latin American Openings: The Reception History Of Hitchcock's Films For Mexico City 235
- Chapter Six. Guillermo Del Toro's Continuing Education: Adapting Hitchcock's Moral And Visual Sensibilities To The World Of Horror 266
- Chapter Seven. Understanding Osmosis: Hitchcock In Argentina Through The Eyes Of Juan Jose Campanella 318
- Conclusion. They Became Notorious 359
- Bibliography 366
- Index 377
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
-
Part I: Spain
- Chapter One. First Loves, First Cuts: The Initial Response to Hitchcock’s Films in Spain 15
- Chapter Two. Pedro Almodóvar’s Criminal Side: Plot, Humour and Cinematic Style 63
- Chapter Three. Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy 133
- Chapter Four. Against Hitchcock: Alejandro Amenabar's Meteoric Career 183
-
Part II: Latin America
- Chapter Five. Latin American Openings: The Reception History Of Hitchcock's Films For Mexico City 235
- Chapter Six. Guillermo Del Toro's Continuing Education: Adapting Hitchcock's Moral And Visual Sensibilities To The World Of Horror 266
- Chapter Seven. Understanding Osmosis: Hitchcock In Argentina Through The Eyes Of Juan Jose Campanella 318
- Conclusion. They Became Notorious 359
- Bibliography 366
- Index 377