Chapters in this book

1. Frontmatter i
2. CONTENTS vii
3. Acknowledgments ix
4. Introduction 1
5. 1. American Cinema, German Angles 15
6. 2. Purposes and Parallels 55
7. 3. Dynamism, Seriality, and Convergence 103
8. 4. Constructing Scenes with the Camera 151
9. 5. Between Subjective and Objective 194
10. 6. An Art of Disclosures 237
11. Conclusion 282
12. Note 291
13. Bibliography 329
14. Index 341