Appendix 2: Linked Verse in Japanese and Chinese ( Wakan renku)

Chapters in this book

1. Frontmatter i
2. CONTENTS vii
3. List of Figures ix
4. Conventions and Acknowledgments xi
5. 発句 Introduction 1
6. 史 PART I. History: Modalities of Medieval Japanese Linked Verse
7. 1. The Origins of Linked Verse: The Nara and Heian Periods 21
8. 2. The Early Medieval Period: Ushin and Mushin; Dōjō and Jige 58
9. 3. The Early Maturity of the Ushin Renga Style: Nijō Yoshimoto and Kyūzei 107
10. 4. The Apogee of the Ushin Renga Voice 161
11. 5. The Haikai Efflorescence and the Early Modern Transition 301
12. Translation: Private Treatise on Linked-Verse Principles (Renri hishō) 383
13. 注 PART II. Commentary: Historical Reception and the Yajima Shōrin'an "What-Tree" Hundred-Verse Renga Sequence
14. Translation: The Yajima Shōrin’an “What-Tree” Hundred-Verse Renga Sequence (Yajima Shōrin’an naniki hyakuin), by Sōchō and Sōboku 409
15. Chart 1: The Structure of the Yajima Shōrin’an “What-Tree” Hundred-Verse Renga Sequence 741
16. 場 PART III. Performance: The Linked-Verse Session
17. Introduction 747
18. Translations: Rules for Linked-Verse Sessions (Renga kaiseki shiki), by Nitta Shōjun, and Ten Vexations of Linked Verse (Renga no jūmuyaku), attributed to Sōchō 790
19. 挙句 Epilogue: The Modern Revival of Ushin Renga Studies 795
20. Appendix 1: Basic Rules of Intermission and Seriation in Orthodox Linked Verse 813
21. Appendix 2: Linked Verse in Japanese and Chinese ( Wakan renku) 817
22. Appendix 3: A Note on Medieval Waka Houses 829
23. Abbreviations 835
24. Notes 837
25. Bibliography 993
26. Index to Poems 1049
27. General Index 1065
28. Plates 1103