Kapitel
Öffentlich zugänglich
Contents
Kapitel in diesem Buch
- Frontmatter i
- Contents ix
- Contributors xi
- Introduction xv
- 1. Don Giovanni: “And what communion hath light with darkness?” 1
- 2. Don Juan and Faust: On the Interaction Between Two Literary Myths 19
- 3. “Hidden Secrets of the Self ”: E. T. A. Hoffmann’s Reading of Don Giovanni 33
- 4. Don Juan in Nicholas’s Russia (Pushkin’s The Stone Guest) 47
- 5. Mörike’s Mozart and the Scent of a Woman 61
- 6. The Gothic Libertine: The Shadow of Don Giovanni in Romantic Music and Culture 75
- 7. Don Juan as an Idea 107
- Kierkegaard Writes His Opera 119
- 9. The Curse and Promise of the Absolutely Musical: Tristan und Isolde and Don Giovanni 137
- 10. Authority and Judgment in Mozart’s Don Giovanni and Wagner’s Ring 161
- 11. Mozart’s Don Giovanni in Shaw’s Comedy 181
- 12. Giovanni auf Naxos 193
- 13. Homage to Adorno’s “Homage to Zerlina” 211
- 14. Adorno and the Don 225
Kapitel in diesem Buch
- Frontmatter i
- Contents ix
- Contributors xi
- Introduction xv
- 1. Don Giovanni: “And what communion hath light with darkness?” 1
- 2. Don Juan and Faust: On the Interaction Between Two Literary Myths 19
- 3. “Hidden Secrets of the Self ”: E. T. A. Hoffmann’s Reading of Don Giovanni 33
- 4. Don Juan in Nicholas’s Russia (Pushkin’s The Stone Guest) 47
- 5. Mörike’s Mozart and the Scent of a Woman 61
- 6. The Gothic Libertine: The Shadow of Don Giovanni in Romantic Music and Culture 75
- 7. Don Juan as an Idea 107
- Kierkegaard Writes His Opera 119
- 9. The Curse and Promise of the Absolutely Musical: Tristan und Isolde and Don Giovanni 137
- 10. Authority and Judgment in Mozart’s Don Giovanni and Wagner’s Ring 161
- 11. Mozart’s Don Giovanni in Shaw’s Comedy 181
- 12. Giovanni auf Naxos 193
- 13. Homage to Adorno’s “Homage to Zerlina” 211
- 14. Adorno and the Don 225
