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Foreword: Are You Watching Closely?

  • Will Brooker
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The Cinema of Christopher Nolan
This chapter is in the book The Cinema of Christopher Nolan

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgements vii
  4. Notes on Contributors ix
  5. Foreword: Are You Watching Closely? xi
  6. Introduction: Dreaming a Little Bigger, Darling 1
  7. 1. Developing an Auteur Through Reviews: The Critical Surround of Christopher Nolan 17
  8. 2. Cinephilia Writ Large: IMAX in Christopher Nolan’s The Dark Knight and The Dark Knight Rises 31
  9. 3. Nolan’s Immersive Allegories of Filmmaking in Inception and The Prestige 44
  10. 4. Saints, Sinners and Terrorists: The Women of Christopher Nolan’s Gotham 62
  11. 5. Memento’s Postmodern Noir Fantasy: Place, Domesticity and Gender Identity 74
  12. 6. Men in Crisis: Christopher Nolan, Un-truths and Fictionalising Masculinity 85
  13. 7. Representing Trauma: Grief, Amnesia and Traumatic Memory in Nolan’s New Millennial Films 99
  14. 8. ‘The dream has become their reality’: Infinite Regression in Christopher Nolan’s Memento and Inception 120
  15. 9. Revisiting the Scene of the Crime: Insomnia and the Return of the Repressed 132
  16. 10. ‘You keep telling yourself what you know, but what do you believe?’: Cultural Spin, Puzzle Films and Mind Games in the Cinema of Christopher Nolan 147
  17. 11. Stumbling Over the Superhero: Christopher Nolan’s Victories and Compromises 164
  18. 12. Inception’s Singular Lack of Unity Among Christopher Nolan’s Puzzle Films 175
  19. 13. Inception’s Video Game Logic 189
  20. 14. On the Work of the Double in Christopher Nolan’s The Prestige 201
  21. 15. No End in Sight: The Existential Temporality of Following 219
  22. 16. Hearing Music in Dreams – Towards the Semiotic Role of Music in Nolan’s Inception 233
  23. 17. About Time Too: From Interstellar to Following, Christopher Nolan’s Continuing Preoccupation with Time-Travel 247
  24. Index 268
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