Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. Translator’s Preface vii
4. Introduction: Michel Foucault’s Cut ix
5. PART 1. FOUCAULT AND FILM: A HISTORICAL AND PHILOSOPHICAL ENCOUNTER
6. 1. What Film Is Able to Do: Foucault and Cinematic Knowledge 3
7. 2. Versions of the Present: Foucault’s Metaphysics of the Event Illuminated by Cinema 35
8. PART 2. MICHEL FOUCAULT ON FILM
9. 3. Film, History, and Popular Memory 103
10. 4. Marguerite Duras: Memory Without Remembering 123
11. 5. Paul’s Story: The Story of Jonah 135
12. 6. The Nondisciplinary Camera Versus Sade 139
13. 7. The Asylum and the Carnival 145
14. 8. Crime and Discourse 153
15. 9. The Return of Pierre Rivière 159
16. 10. The Dull Regime of Tolerance 171
17. 11. The Four Horsemen of the Apocalypse 175
18. 12. Werner Schroeter and Michel Foucault in Conversation 179
19. Appendix: Foucault at the Movies - a Program of Films 193
20. Notes 199
21. Bibliography 223
22. Index 231