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3. Romantic Subjectivity in Goethe and Wittgenstein
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- 1. Introduction: Subjectivity, Modernity, and the Uses of Literature 1
- 2. Romanticism, Cartesianism, Humeanism, Byronism Stoppard’s Arcadia 27
- 3. Romantic Subjectivity in Goethe and Wittgenstein 49
- 4. Attention, Expressive Power, and Interest in Life: Wordsworth’s “Tintern Abbey” 69
- 5. The Ends of Literary Narrative: Rilke’s “Archaic Torso of Apollo” 101
- 6. “New Centers of Reflection Are Continually Forming”: Benjamin, Sebald, and Modern Human Life in Time 121
- Appendix: William Wordsworth: “Lines Composed a Few Miles Above Tintern Abbey” 151
- Notes 157
- Index 175
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- 1. Introduction: Subjectivity, Modernity, and the Uses of Literature 1
- 2. Romanticism, Cartesianism, Humeanism, Byronism Stoppard’s Arcadia 27
- 3. Romantic Subjectivity in Goethe and Wittgenstein 49
- 4. Attention, Expressive Power, and Interest in Life: Wordsworth’s “Tintern Abbey” 69
- 5. The Ends of Literary Narrative: Rilke’s “Archaic Torso of Apollo” 101
- 6. “New Centers of Reflection Are Continually Forming”: Benjamin, Sebald, and Modern Human Life in Time 121
- Appendix: William Wordsworth: “Lines Composed a Few Miles Above Tintern Abbey” 151
- Notes 157
- Index 175