Chapter
Licensed
Unlicensed
Requires Authentication
7. Intermission at RKO
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents vii
- Opening Credits ix
- Prologue: Hollywood, 1954 1
- 1. The Victorian Irishman 7
- 2. Bluenoses Against the Screen 31
- 3. Hollywood Shot to Pieces 49
- 4. The Breen Office 77
- 5. Decoding Classical Hollywood Cinema 97
- 6. Confessional 121
- 7. Intermission at RKO 132
- 8. At War with the Breen Office 152
- 9. In His Sacerdotalism 172
- 10. “Our Semitic Brethren” 199
- 11. Social Problems, Existential Dilemmas, and Outsized Anatomies 225
- 12. Invasion of the Art Films 264
- 13. Amending the Ten Commandments 292
- 14. Not the Breen Office 313
- 15. Final Cut: Joseph I. Breen and the Auteur Theory 337
- Appendix: Th e Production Code 351
- Notes 365
- Film Index 409
- Index 415
Chapters in this book
- Frontmatter i
- Contents vii
- Opening Credits ix
- Prologue: Hollywood, 1954 1
- 1. The Victorian Irishman 7
- 2. Bluenoses Against the Screen 31
- 3. Hollywood Shot to Pieces 49
- 4. The Breen Office 77
- 5. Decoding Classical Hollywood Cinema 97
- 6. Confessional 121
- 7. Intermission at RKO 132
- 8. At War with the Breen Office 152
- 9. In His Sacerdotalism 172
- 10. “Our Semitic Brethren” 199
- 11. Social Problems, Existential Dilemmas, and Outsized Anatomies 225
- 12. Invasion of the Art Films 264
- 13. Amending the Ten Commandments 292
- 14. Not the Breen Office 313
- 15. Final Cut: Joseph I. Breen and the Auteur Theory 337
- Appendix: Th e Production Code 351
- Notes 365
- Film Index 409
- Index 415