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13. Memory, Narrative, and Transformation in Taking Woodstock

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Note on Transliteration ix
  5. 1. Introduction: Ang Lee – A History 1
  6. 2. Ang Lee as Director: His Position in Asian and World Cinema 21
  7. 3. Confucian Values and Cultural Displacement in Pushing Hands 49
  8. 4. Transgressing Boundaries of Gender and Culture in The Wedding Banquet 59
  9. 5. Globalization and Cultural Identity in Eat Drink Man Woman 69
  10. 6. Opposition and Resolution in Sense and Sensibility 81
  11. 7. Fragmentary Narratives/Fragmented Identities in The Ice Storm 94
  12. 8. Race, Gender, Class, and Social Identity in Ride with the Devil 107
  13. 9. Wuxia Narrative and Transnational Chinese Identity in Crouching Tiger, Hidden Dragon 118
  14. 10. The Ultimate Outsider: Hulk 134
  15. 11. Transcending Gender in Brokeback Mountain 147
  16. 12. Eroticism and Performance in Lust/Caution 158
  17. 13. Memory, Narrative, and Transformation in Taking Woodstock 171
  18. 14. Storytelling and Truth in Life of Pi: A Spiritual Journey 181
  19. 15. Conclusion: The Dream of Cinema 192
  20. Notes 197
  21. Bibliography 213
  22. Index 223
The Cinema of Ang Lee
This chapter is in the book The Cinema of Ang Lee
https://doi.org/10.7312/dill16772-015

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Note on Transliteration ix
  5. 1. Introduction: Ang Lee – A History 1
  6. 2. Ang Lee as Director: His Position in Asian and World Cinema 21
  7. 3. Confucian Values and Cultural Displacement in Pushing Hands 49
  8. 4. Transgressing Boundaries of Gender and Culture in The Wedding Banquet 59
  9. 5. Globalization and Cultural Identity in Eat Drink Man Woman 69
  10. 6. Opposition and Resolution in Sense and Sensibility 81
  11. 7. Fragmentary Narratives/Fragmented Identities in The Ice Storm 94
  12. 8. Race, Gender, Class, and Social Identity in Ride with the Devil 107
  13. 9. Wuxia Narrative and Transnational Chinese Identity in Crouching Tiger, Hidden Dragon 118
  14. 10. The Ultimate Outsider: Hulk 134
  15. 11. Transcending Gender in Brokeback Mountain 147
  16. 12. Eroticism and Performance in Lust/Caution 158
  17. 13. Memory, Narrative, and Transformation in Taking Woodstock 171
  18. 14. Storytelling and Truth in Life of Pi: A Spiritual Journey 181
  19. 15. Conclusion: The Dream of Cinema 192
  20. Notes 197
  21. Bibliography 213
  22. Index 223
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