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4. Iris Barry, Hollywood Imperialism, and the Gender of the Nation
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- 1. Vachel Lindsay and the Universal Film Museum 13
- 2. Overlapping Publics: Hollywood and Columbia University, 1915 41
- 3. Mandarins and Marxists: Harvard and the Rise of Film Experts 63
- 4. Iris Barry, Hollywood Imperialism, and the Gender of the Nation 97
- 5. The Museum of Modern Art and the Roots of the Cultural Cold War 123
- 6. The Politics of Patronage: How the NEA (Accidentally) Created American Avant-Garde Film 161
- Conclusion: The Transformation of the Studio System 205
- Notes 213
- Index 253
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- 1. Vachel Lindsay and the Universal Film Museum 13
- 2. Overlapping Publics: Hollywood and Columbia University, 1915 41
- 3. Mandarins and Marxists: Harvard and the Rise of Film Experts 63
- 4. Iris Barry, Hollywood Imperialism, and the Gender of the Nation 97
- 5. The Museum of Modern Art and the Roots of the Cultural Cold War 123
- 6. The Politics of Patronage: How the NEA (Accidentally) Created American Avant-Garde Film 161
- Conclusion: The Transformation of the Studio System 205
- Notes 213
- Index 253