4. Iris Barry, Hollywood Imperialism, and the Gender of the Nation

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. 1. Vachel Lindsay and the Universal Film Museum 13
5. 2. Overlapping Publics: Hollywood and Columbia University, 1915 41
6. 3. Mandarins and Marxists: Harvard and the Rise of Film Experts 63
7. 4. Iris Barry, Hollywood Imperialism, and the Gender of the Nation 97
8. 5. The Museum of Modern Art and the Roots of the Cultural Cold War 123
9. 6. The Politics of Patronage: How the NEA (Accidentally) Created American Avant-Garde Film 161
10. Conclusion: The Transformation of the Studio System 205
11. Notes 213
12. Index 253