Chapters in this book

1. Frontmatter i
2. CONTENTS vii
3. Translator’s Note ix
4. Preface xi
5. INTRODUCTION: MUSIC REDEFINED BY CINEMA 1
6. PART I: HISTORICAL PERSPECTIVES
7. 1. DREAMS AND REALITIES: 1895– 1935 23
8. 2. CLASSICISM TO MODERNISM: 1935– 1975 87
9. 3. BACK TO THE FUTURE: 1975– 1995 152
10. 4. WHITHER FILM MUSIC? 1996– 2020 184
11. PART II: THE THREE FACES OF MUSIC IN CINEMA
12. 5. MUSIC AS ELEMENT AND MEANS 203
13. 6. MUSIC AS WORLD 253
14. 7. MUSIC AS SUBJECT, METAPHOR, AND MODEL 297
15. BY WAY OF CONCLUSION 340
16. Glossary 345
17. Notes 349
18. Index 365
19. FILM AND CULTURE 381