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Index
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Chapters in this book
- Frontmatter i
- Contents v
- Foreword (1994) vii
- Preface xxi
-
Part I: The Audiovisual Contract
- 1. Projections Of Sound On Image 3
- 2. The Three Listening Modes 22
- 3. Lines And Points: Horizontal And Vertical Perspectives On Audiovisual Relations 35
- 4. The Audiovisual Scene 66
- 5. The Real And The Rendered 98
- 6. Phantom Audio- Vision; Or, The Audio- Divisual 121
-
Part II: Beyond Sounds And Images
- 7. Sound Film Worthy Of The Name 137
- 8. Toward An Audio- Logo- Visual Poetics 147
- 9. An Introduction To Audiovisual Analysis 172
- Glossary 201
- Chronology: Landmarks of the Sound Film 215
- Notes 249
- Bibliography 255
- Index 257
Chapters in this book
- Frontmatter i
- Contents v
- Foreword (1994) vii
- Preface xxi
-
Part I: The Audiovisual Contract
- 1. Projections Of Sound On Image 3
- 2. The Three Listening Modes 22
- 3. Lines And Points: Horizontal And Vertical Perspectives On Audiovisual Relations 35
- 4. The Audiovisual Scene 66
- 5. The Real And The Rendered 98
- 6. Phantom Audio- Vision; Or, The Audio- Divisual 121
-
Part II: Beyond Sounds And Images
- 7. Sound Film Worthy Of The Name 137
- 8. Toward An Audio- Logo- Visual Poetics 147
- 9. An Introduction To Audiovisual Analysis 172
- Glossary 201
- Chronology: Landmarks of the Sound Film 215
- Notes 249
- Bibliography 255
- Index 257