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William Carroll
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Note on Names, Images, and Translations xiii
- Introduction: Why Suzuki Seijun? 1
- 1. 1968 and the Suzuki Seijun Incident 13
- 2. Suzuki Seijun and the Impossibility of Cinema 38
- 3. Postwar Japanese Genre Filmmaking and the Nikkatsu Action Sylistic Idiom 62
- 4. The Emergence of the Seijunesque 91
- 5. The Authorial Voice of Suzuki Seijun 125
- Coda 155
- Appendix 1. Filmography 159
- Appendix 2. Unfilmed Projects 215
- Appendix 3. Guryū Hachirō Extended Filmography 223
- Appendix 4. Suzuki Seijun as Assistant Director 227
- Appendix 5. Commercials Directed by Suzuki Seijun 229
- Appendix 6. Books Written by Suzuki Seijun 231
- Notes 233
- Bibliography 253
- Index 265
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Note on Names, Images, and Translations xiii
- Introduction: Why Suzuki Seijun? 1
- 1. 1968 and the Suzuki Seijun Incident 13
- 2. Suzuki Seijun and the Impossibility of Cinema 38
- 3. Postwar Japanese Genre Filmmaking and the Nikkatsu Action Sylistic Idiom 62
- 4. The Emergence of the Seijunesque 91
- 5. The Authorial Voice of Suzuki Seijun 125
- Coda 155
- Appendix 1. Filmography 159
- Appendix 2. Unfilmed Projects 215
- Appendix 3. Guryū Hachirō Extended Filmography 223
- Appendix 4. Suzuki Seijun as Assistant Director 227
- Appendix 5. Commercials Directed by Suzuki Seijun 229
- Appendix 6. Books Written by Suzuki Seijun 231
- Notes 233
- Bibliography 253
- Index 265