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1. WHY CAN’T HOLLYWOOD RELY ON FLYING SAUCERS? INDUSTRY, AUDIENCE AND FRANCHISE LOGIC
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Neil Archer
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Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGEMENTS vii
- INTRODUCTION: REBOOTED? 1
- 1. WHY CAN’T HOLLYWOOD RELY ON FLYING SAUCERS? INDUSTRY, AUDIENCE AND FRANCHISE LOGIC 13
- 2. WHAT DOES HOLLYWOOD REALLY LIKE ABOUT COMIC BOOKS? STRUCTURE AND STYLE IN MARVEL’S CINEMATIC UNIVERSE 27
- 3. IS HOLLYWOOD SAVING THE WORLD, OR IS THE WORLD SAVING HOLLYWOOD? INDUSTRIAL AUTHORSHIP AND EXPERIMENTAL BLOCKBUSTERS 53
- 4. WHY ARE THE MOST GROWN-UP FILMS MADE FOR CHILDREN? WAYS OF PLAYING IN THE FAMILY FILM 82
- FILMOGRAPHY 106
- BIBLIOGRAPHY 108
- INDEX 115
Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGEMENTS vii
- INTRODUCTION: REBOOTED? 1
- 1. WHY CAN’T HOLLYWOOD RELY ON FLYING SAUCERS? INDUSTRY, AUDIENCE AND FRANCHISE LOGIC 13
- 2. WHAT DOES HOLLYWOOD REALLY LIKE ABOUT COMIC BOOKS? STRUCTURE AND STYLE IN MARVEL’S CINEMATIC UNIVERSE 27
- 3. IS HOLLYWOOD SAVING THE WORLD, OR IS THE WORLD SAVING HOLLYWOOD? INDUSTRIAL AUTHORSHIP AND EXPERIMENTAL BLOCKBUSTERS 53
- 4. WHY ARE THE MOST GROWN-UP FILMS MADE FOR CHILDREN? WAYS OF PLAYING IN THE FAMILY FILM 82
- FILMOGRAPHY 106
- BIBLIOGRAPHY 108
- INDEX 115