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    Contents
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        Davesh Soneji
        
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: On Historical, Social, and Aesthetic Borderlands 1
- 1. Producing Dance in Colonial Tanjore 27
- 2. Whatever Happened to the South Indian Nautch? Toward a Cultural History of Salon Dance in Madras 70
- 3. Subterfuges of “Respectable” Citizenship: Marriage and Masculinity in the Discourse of Devadāsī Reform 112
- 4. Historical Traces and Unfi nished Subjectivity: Remembering Devadāsī Dance at Viralimalai 161
- 5. Performing Untenable Pasts: Aesthetics and Selfhood in Coastal Andhra Pradesh 189
- Coda: Gesturing to Devada¯sı¯ Pasts in Today’s Chennai 222
- Appendix 1: Selected Documents from the Files of Muthulakshmi Reddy 227
- Appendix 2: The Madras Devadasis (Prevention of Dedication) Act of 1947 235
- Notes 237
- References 271
- Index 297
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: On Historical, Social, and Aesthetic Borderlands 1
- 1. Producing Dance in Colonial Tanjore 27
- 2. Whatever Happened to the South Indian Nautch? Toward a Cultural History of Salon Dance in Madras 70
- 3. Subterfuges of “Respectable” Citizenship: Marriage and Masculinity in the Discourse of Devadāsī Reform 112
- 4. Historical Traces and Unfi nished Subjectivity: Remembering Devadāsī Dance at Viralimalai 161
- 5. Performing Untenable Pasts: Aesthetics and Selfhood in Coastal Andhra Pradesh 189
- Coda: Gesturing to Devada¯sı¯ Pasts in Today’s Chennai 222
- Appendix 1: Selected Documents from the Files of Muthulakshmi Reddy 227
- Appendix 2: The Madras Devadasis (Prevention of Dedication) Act of 1947 235
- Notes 237
- References 271
- Index 297