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Acknowledgments
-
John J. Sheinbaum
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments xi
- Introduction Good: What Values Do We Bring to Music? 1
- 1. Serious: The Cultural Work of Classical Music and the Trap of Musical Sound 20
- 2. Unified: Beethoven, the Beatles, and the Imperfect Ideology of the Masterpiece 51
- 3. Deep: Classical Values and Musical Color in Mahler’s Symphonies 87
- 4. Authentic: Progressive Rock and the Inversion of Musical Values 120
- 5. Heroic: “Classic” Jazz and Musical Dialogues 153
- 6. Original: Handel Historiography and the Horizontal Remix 183
- 7. Connected: What’s at Stake in How We Love the Music We Love? 216
- Notes 239
- Works Cited 261
- Index 281
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments xi
- Introduction Good: What Values Do We Bring to Music? 1
- 1. Serious: The Cultural Work of Classical Music and the Trap of Musical Sound 20
- 2. Unified: Beethoven, the Beatles, and the Imperfect Ideology of the Masterpiece 51
- 3. Deep: Classical Values and Musical Color in Mahler’s Symphonies 87
- 4. Authentic: Progressive Rock and the Inversion of Musical Values 120
- 5. Heroic: “Classic” Jazz and Musical Dialogues 153
- 6. Original: Handel Historiography and the Horizontal Remix 183
- 7. Connected: What’s at Stake in How We Love the Music We Love? 216
- Notes 239
- Works Cited 261
- Index 281