7. Fields, Genres, Brands

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Music Examples ix
4. Acknowledgments xi
5. Introduction: Culture, Capitalism, Globalization, Music 1
6. 1. The Absence of Culture in the Study of Music 9
7. 2. Music and Affect in the West: The First 2,000 Years 26
8. 3. The Commodification of Music at the Dawn of the Era of “Mechanical Music” 50
9. 4. The Role of Opera in the Rise of Radio in the US 74
10. 5. Stravinsky and Others 94
11. 6. World Music Festivals as Spectacles of Genrefication and Diversity 114
12. 7. Fields, Genres, Brands 127
13. 8. Neoliberal Capitalism, UNESCO, and the Reenchantment of Culture 144
14. 9. Globalized Neoliberal Capitalism and the Commodification of Taste 155
15. 10. Valuing Music 174
16. Notes 201
17. References 209
18. Index 233