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Contents
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Preface & Acknowledgments xiii
- Introduction 1
- 1. Arcimboldo’s Lombard Origins 17
- 2. Arcimboldo from 1562: The Creation of Composite Heads 43
- 3. Learning, Poetry, and Art 71
- 4. Serious Jokes 91
- 5. Natural Philosophy, Natural History, and Nature Painting 115
- 6. Nature Studies 149
- 7. Arcimboldo and the Origins of Still Life 167
- 8. Arcimboldo’s Paradoxical Paintings and the Origins of Still Life 213 C 191
- Arcimboldo in the History of Art 213
- Appendix 1. Arcimboldo, the Facchini, and Popular Culture 219
- Appendix 2. Arcimboldo and Meda at Monza 223
- Appendix 3. Concordance of Arcimboldo images from the Aldrovandi Letter, Bologna, Biblioteca Universitaria, Dresden Kupferstich-Kabinett CA 213, Vienna (cod. min. 42), and the “Museum” of Rudolf II (Österreichische Nationalbibliothek, cod. min. 129 and 130) 226
- Notes 233
- Bibliography 291
- Index 307
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Preface & Acknowledgments xiii
- Introduction 1
- 1. Arcimboldo’s Lombard Origins 17
- 2. Arcimboldo from 1562: The Creation of Composite Heads 43
- 3. Learning, Poetry, and Art 71
- 4. Serious Jokes 91
- 5. Natural Philosophy, Natural History, and Nature Painting 115
- 6. Nature Studies 149
- 7. Arcimboldo and the Origins of Still Life 167
- 8. Arcimboldo’s Paradoxical Paintings and the Origins of Still Life 213 C 191
- Arcimboldo in the History of Art 213
- Appendix 1. Arcimboldo, the Facchini, and Popular Culture 219
- Appendix 2. Arcimboldo and Meda at Monza 223
- Appendix 3. Concordance of Arcimboldo images from the Aldrovandi Letter, Bologna, Biblioteca Universitaria, Dresden Kupferstich-Kabinett CA 213, Vienna (cod. min. 42), and the “Museum” of Rudolf II (Österreichische Nationalbibliothek, cod. min. 129 and 130) 226
- Notes 233
- Bibliography 291
- Index 307