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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- 1. Introduction 1
- 2. A Gendered History 26
- 3. Tatico Forever 54
- 4. Fefita the Great 83
- 5. Filosofía de Calle: Transnational Tigueraje 113
- 6. Temporary Transvestites: Cross-Dressing Merengue, Bachata, and Reggaetón 149
- 7. Listening Sideways: The Transgenre Work of Rita Indiana 173
- 8. Dispatch from an Imaginary Island 211
- Appendix A: Dominican Musics Mentioned in This Book 219
- Appendix B: A Comparison of Two Accordionists’ Botaos 225
- Appendix C: Movement and Gesture Analysis of Fefita la Grande Performing “La chiflera” 237
- Notes 243
- Works Cited 253
- Index 269
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xi
- 1. Introduction 1
- 2. A Gendered History 26
- 3. Tatico Forever 54
- 4. Fefita the Great 83
- 5. Filosofía de Calle: Transnational Tigueraje 113
- 6. Temporary Transvestites: Cross-Dressing Merengue, Bachata, and Reggaetón 149
- 7. Listening Sideways: The Transgenre Work of Rita Indiana 173
- 8. Dispatch from an Imaginary Island 211
- Appendix A: Dominican Musics Mentioned in This Book 219
- Appendix B: A Comparison of Two Accordionists’ Botaos 225
- Appendix C: Movement and Gesture Analysis of Fefita la Grande Performing “La chiflera” 237
- Notes 243
- Works Cited 253
- Index 269