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4. Audiences Negotiate Tickets and Seating
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Lakshmi Srinivas
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Chapters in this book
- Frontmatter i
- Table of Contents vii
- Acknowledgments ix
- 1. Introduction 1
- 2. Participatory Filmmaking and the Anticipation of the Audience 32
- 3. Cinema Halls, Audiences, and the Importance of Place 63
- 4. Audiences Negotiate Tickets and Seating 94
- 5. Families, Friendship Groups, and Cinema as Social Experience 130
- 6. Active Audiences and the Constitution of Film Experience 159
- 7. “First Day, First Show”: A Paroxysm of Cinema 189
- 8. Conclusion 225
- Notes 239
- References 279
- Index 295
Chapters in this book
- Frontmatter i
- Table of Contents vii
- Acknowledgments ix
- 1. Introduction 1
- 2. Participatory Filmmaking and the Anticipation of the Audience 32
- 3. Cinema Halls, Audiences, and the Importance of Place 63
- 4. Audiences Negotiate Tickets and Seating 94
- 5. Families, Friendship Groups, and Cinema as Social Experience 130
- 6. Active Audiences and the Constitution of Film Experience 159
- 7. “First Day, First Show”: A Paroxysm of Cinema 189
- 8. Conclusion 225
- Notes 239
- References 279
- Index 295
