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5: The Last Habsburg Poet Paul Celan’s Love Poetry and the Limits of Language
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Marjorie Perloff
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Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Preface xi
- Introduction: The Making of Austro-Modernism 1
- 1: The Mediated War Karl Kraus’s The Last Days of Mankind 19
- 2: The Lost Hyphen Joseph Roth’s The Radetzky March 41
- 3: “The Subjunctive of Possibilities” Robert Musil’s The Man without Qualities 71
- 4: Coming of Age in Kakania Mother Tongue and Identity Theft in Canetti’s Autobiography 101
- 5: The Last Habsburg Poet Paul Celan’s Love Poetry and the Limits of Language 125
- Coda: Becoming a “Different” Person 153 Wittgenstein’s “Gospels” 153
- Notes 171
- Index 195
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Preface xi
- Introduction: The Making of Austro-Modernism 1
- 1: The Mediated War Karl Kraus’s The Last Days of Mankind 19
- 2: The Lost Hyphen Joseph Roth’s The Radetzky March 41
- 3: “The Subjunctive of Possibilities” Robert Musil’s The Man without Qualities 71
- 4: Coming of Age in Kakania Mother Tongue and Identity Theft in Canetti’s Autobiography 101
- 5: The Last Habsburg Poet Paul Celan’s Love Poetry and the Limits of Language 125
- Coda: Becoming a “Different” Person 153 Wittgenstein’s “Gospels” 153
- Notes 171
- Index 195