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Musical Works Cited
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Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- List of Tables xv
- Acknowledgments xvii
- Editorial Principles xxi
- Introduction 1
- Chapter 1 The Paradox of Instrumentality The Material and the Ephemeral in Early Modern Instrumental Music 13
- Chapter 2 Instruments of the Affetti Biagio Marini’s Affetti musicali (1617) 51
- Chapter 3 Portraiture in Motion Instrumental Music and the Representation of the Affetti 79
- Chapter 4 “Curiose e moderne inventioni” Biagio Marini’s Sonate (1626) and Carlo Farina’s “Capriccio stravagante” (1627) as Collections of Curiosities 117
- Chapter 5 Instruments of Timekeeping The Case of Frescobaldi’s Toccate e partite . . . libro primo 159
- Chapter 6 The stile moderno and the Art of History Artisanship and Historical Consciousness in the Works of Dario Castello 187
- Conclusion 225
- Notes 229
- Musical Works Cited 273
- Bibliography 277
- Index 299
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- List of Tables xv
- Acknowledgments xvii
- Editorial Principles xxi
- Introduction 1
- Chapter 1 The Paradox of Instrumentality The Material and the Ephemeral in Early Modern Instrumental Music 13
- Chapter 2 Instruments of the Affetti Biagio Marini’s Affetti musicali (1617) 51
- Chapter 3 Portraiture in Motion Instrumental Music and the Representation of the Affetti 79
- Chapter 4 “Curiose e moderne inventioni” Biagio Marini’s Sonate (1626) and Carlo Farina’s “Capriccio stravagante” (1627) as Collections of Curiosities 117
- Chapter 5 Instruments of Timekeeping The Case of Frescobaldi’s Toccate e partite . . . libro primo 159
- Chapter 6 The stile moderno and the Art of History Artisanship and Historical Consciousness in the Works of Dario Castello 187
- Conclusion 225
- Notes 229
- Musical Works Cited 273
- Bibliography 277
- Index 299