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3. Anthony Braxton: Leroy Jenkins, Musica Elettronica Viva, and the “Peace Church” Concert
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Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Introduction 1
- 1. Miles Goes Electric 7
- 2. “Bitches Brew,” in the Studio and on the Road 35
- 3. Anthony Braxton: Leroy Jenkins, Musica Elettronica Viva, and the “Peace Church” Concert 57
- 4. Interlude: Musical Rumblings in Chelsea 79
- 5. Miles Davis’s Increasingly Electronic 1970, and a Reflection on His 1971– 75 Bands 97
- 6. Circle 113
- 7. The Revolutionary Ensemble 133
- 8. Ornette Coleman’s Children: Comparisons and Contrasts Inside and Outside the Jazz Economy 149
- Appendix 1: Timeline 165
- Appendix 2: Reconsidering Miles Davis at Fillmore: Live at the Fillmore East (1970) in Light of Miles at the Fillmore (2014) 171
- Appendix 3: Circle’s Performance of Its Members’ Compositions 183
- Notes 189
- References 239
- Discography 251
- Index 257
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Introduction 1
- 1. Miles Goes Electric 7
- 2. “Bitches Brew,” in the Studio and on the Road 35
- 3. Anthony Braxton: Leroy Jenkins, Musica Elettronica Viva, and the “Peace Church” Concert 57
- 4. Interlude: Musical Rumblings in Chelsea 79
- 5. Miles Davis’s Increasingly Electronic 1970, and a Reflection on His 1971– 75 Bands 97
- 6. Circle 113
- 7. The Revolutionary Ensemble 133
- 8. Ornette Coleman’s Children: Comparisons and Contrasts Inside and Outside the Jazz Economy 149
- Appendix 1: Timeline 165
- Appendix 2: Reconsidering Miles Davis at Fillmore: Live at the Fillmore East (1970) in Light of Miles at the Fillmore (2014) 171
- Appendix 3: Circle’s Performance of Its Members’ Compositions 183
- Notes 189
- References 239
- Discography 251
- Index 257