Chapter
Publicly Available
Contents
-
David J. Buch
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Preface ix
- Abbreviations xxv
- INTRODUCTION. Precedents & Sources of Magic & the “Marvelous” 1
- 1. L’Académie Royale de Musique 43
- 2. Opéra-comique 103
- 3. Italian Serious Genres 153
- 4. Italian Comic Genres 207
- 5. German Musical Theater 245
- 6. The Supernatural in the Operas of Mozart 315
- POSTSCRIPT. The Significance & Influence of Supernatural Topics 359
- APPENDIX A. Chronological List of Operas, Ballets, Comédies, Féeries, Pantomimes & Other Plays with Magic & Supernatural Content, 1699–1791 363
- APPENDIX B. Selected Italian Circe, Medea & Orpheus Operas, 1700–1791 374
- APPENDIX C. Operas Based on Ariosto & Tasso, 1700–1791 376
- APPENDIX D. Some Eighteenth-Century Italian Don Juan Settings 379
- APPENDIX E. Chronological List of German Theatrical Works with Magic & Supernatural Content, 1728–92 381
- Bibliography 389
- Index 421
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Preface ix
- Abbreviations xxv
- INTRODUCTION. Precedents & Sources of Magic & the “Marvelous” 1
- 1. L’Académie Royale de Musique 43
- 2. Opéra-comique 103
- 3. Italian Serious Genres 153
- 4. Italian Comic Genres 207
- 5. German Musical Theater 245
- 6. The Supernatural in the Operas of Mozart 315
- POSTSCRIPT. The Significance & Influence of Supernatural Topics 359
- APPENDIX A. Chronological List of Operas, Ballets, Comédies, Féeries, Pantomimes & Other Plays with Magic & Supernatural Content, 1699–1791 363
- APPENDIX B. Selected Italian Circe, Medea & Orpheus Operas, 1700–1791 374
- APPENDIX C. Operas Based on Ariosto & Tasso, 1700–1791 376
- APPENDIX D. Some Eighteenth-Century Italian Don Juan Settings 379
- APPENDIX E. Chronological List of German Theatrical Works with Magic & Supernatural Content, 1728–92 381
- Bibliography 389
- Index 421