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Chapter 4. Politics and Counterpolitics of Collage: Picasso, Gris, and the Effects of War
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Patricia Leighten
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Chapters in this book
- Frontmatter i
- Contents ix
- Illustrations xi
- Preface and Acknowledgments xvii
- Introduction. Modernist Heteroglossia 1
- Chapter 1. Languages of Art and Politics: Salon Painting, Caricature, Modernism 17
- Chapter 2. The White Peril: Colonialism, L’art nègre , and Les Demoiselles d’ Avignon 57
- Chapter 3. A Rationale of Ugliness: Cubism and Its Critical Reception 85
- Chapter 4. Politics and Counterpolitics of Collage: Picasso, Gris, and the Effects of War 111
- Chapter 5. Abstracting Anarchism: František Kupka and the Project of Modernism 145
- Conclusion. A Politics of Form 177
- Notes 181
- Bibliography 205
- Index 223
Chapters in this book
- Frontmatter i
- Contents ix
- Illustrations xi
- Preface and Acknowledgments xvii
- Introduction. Modernist Heteroglossia 1
- Chapter 1. Languages of Art and Politics: Salon Painting, Caricature, Modernism 17
- Chapter 2. The White Peril: Colonialism, L’art nègre , and Les Demoiselles d’ Avignon 57
- Chapter 3. A Rationale of Ugliness: Cubism and Its Critical Reception 85
- Chapter 4. Politics and Counterpolitics of Collage: Picasso, Gris, and the Effects of War 111
- Chapter 5. Abstracting Anarchism: František Kupka and the Project of Modernism 145
- Conclusion. A Politics of Form 177
- Notes 181
- Bibliography 205
- Index 223