6 Altered Chords: New Blood and the End of an Era

Marian Jago; Don Thompson

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6 Altered Chords

New Blood and the End of an Era

Marian Jago und Don Thompson

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Ein Kapitel aus dem Buch Live at The Cellar

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Chicago
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Jago, Marian and Thompson, Don. "6 Altered Chords: New Blood and the End of an Era". Live at The Cellar: Vancouver’s Iconic Jazz Club and the Canadian Co-operative Jazz Scene in the 1950s and ‘60s, University of British Columbia Press, 2018, pp. 183-219. https://doi.org/10.59962/9780774837705-011

Jago, M. & Thompson, D. (2018). 6 Altered Chords: New Blood and the End of an Era. In Live at The Cellar: Vancouver’s Iconic Jazz Club and the Canadian Co-operative Jazz Scene in the 1950s and ‘60s (pp. 183-219). University of British Columbia Press. https://doi.org/10.59962/9780774837705-011

Jago, M. and Thompson, D. 2018. 6 Altered Chords: New Blood and the End of an Era. Live at The Cellar: Vancouver’s Iconic Jazz Club and the Canadian Co-operative Jazz Scene in the 1950s and ‘60s. University of British Columbia Press, pp. 183-219. https://doi.org/10.59962/9780774837705-011

Jago, Marian and Thompson, Don. "6 Altered Chords: New Blood and the End of an Era" In Live at The Cellar: Vancouver’s Iconic Jazz Club and the Canadian Co-operative Jazz Scene in the 1950s and ‘60s, 183-219. University of British Columbia Press, 2018. https://doi.org/10.59962/9780774837705-011

Jago M, Thompson D. 6 Altered Chords: New Blood and the End of an Era. In: Live at The Cellar: Vancouver’s Iconic Jazz Club and the Canadian Co-operative Jazz Scene in the 1950s and ‘60s. University of British Columbia Press; 2018. p.183-219. https://doi.org/10.59962/9780774837705-011

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Kapitel in diesem Buch

Front Matter i
Contents vii
Illustrations ix
Foreword xi
Preface xv
Acknowledgments xx
Introduction 3
Setting the Scene
Are You In or Out? 15
Laying the Groundwork 32
The Vancouver Scene
The Making of a Jazz Scene 67
No Room for Squares 105
In the Swing of Things 144
Altered Chords 183
Other Canadian Scenes
Co-ops from Coast to Coast 223
Conclusion 246
Gigography for the Cellar, 1956–63 255
Canadian Jazz Sources 259
Notes 265
Selected Bibliography 305
Interviews 310
Index 313

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https://doi.org/10.59962/9780774837705-011

Kapitel in diesem Buch

Front Matter i
Contents vii
Illustrations ix
Foreword xi
Preface xv
Acknowledgments xx
Introduction 3
Setting the Scene
Are You In or Out? 15
Laying the Groundwork 32
The Vancouver Scene
The Making of a Jazz Scene 67
No Room for Squares 105
In the Swing of Things 144
Altered Chords 183
Other Canadian Scenes
Co-ops from Coast to Coast 223
Conclusion 246
Gigography for the Cellar, 1956–63 255
Canadian Jazz Sources 259
Notes 265
Selected Bibliography 305
Interviews 310
Index 313

6 Altered Chords

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