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6 Hu Xian Peasant Painting: From Revolutionary Icon to Market Commodity
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Ralph Croizier
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Chapters in this book
- Front Matter i
- Contents v
- Illustrations vii
- Preface xi
- Introduction 3
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Artists and the State
- The Art of the Cultural Revolution 27
- Summoning Confucius: Inside Shi Lu’s Imagination 58
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Artists Remember: Two Memoirs
- Brushes Are Weapons: An Art School and Its Artists 93
- When We Were Young: Up to the Mountains, Down to the Villages 107
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Meanings Then and Now
- The Rent Collection Courtyard, Past and Present 121
- Hu Xian Peasant Painting: From Revolutionary Icon to Market Commodity 136
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Beyond the Visual Arts
- Model Theatrical Works and the Remodelling of the Cultural Revolution 167
- Feminism in the Revolutionary Model Ballets The White-Haired Girl and The Red Detachment of Women 188
- Fantasies of Battle: Making the Militant Hero Prominent 203
- Notes 216
- Bibliography 245
- Acknowledgments 256
- Contributors 257
- Index 259
Chapters in this book
- Front Matter i
- Contents v
- Illustrations vii
- Preface xi
- Introduction 3
-
Artists and the State
- The Art of the Cultural Revolution 27
- Summoning Confucius: Inside Shi Lu’s Imagination 58
-
Artists Remember: Two Memoirs
- Brushes Are Weapons: An Art School and Its Artists 93
- When We Were Young: Up to the Mountains, Down to the Villages 107
-
Meanings Then and Now
- The Rent Collection Courtyard, Past and Present 121
- Hu Xian Peasant Painting: From Revolutionary Icon to Market Commodity 136
-
Beyond the Visual Arts
- Model Theatrical Works and the Remodelling of the Cultural Revolution 167
- Feminism in the Revolutionary Model Ballets The White-Haired Girl and The Red Detachment of Women 188
- Fantasies of Battle: Making the Militant Hero Prominent 203
- Notes 216
- Bibliography 245
- Acknowledgments 256
- Contributors 257
- Index 259