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Chapters in this book
- Front Matter i
- Contents v
- Figures vii
- Tables xi
- Acknowledgments xiii
- 1 Introducing Materialities and Temporalities of Ritual Practice 3
-
Part One Events and Temporalities
- 2 From One Moment to the Next 25
- 3 Over Time 49
- 4 Voice Matters 70
-
Part Two Ritualizing Place
- 5 House, Floor, and Soil 97
- 6 The Role of Altars in Maya Public Rituals of the Early Classic Period 117
- 7 Materiality and Agentivity of House Building Rituals 144
- 8 Heaps of Prayers 162
-
Part Three The Materiality of Sound
- 9 Communities of Engaged Performance 195
- 10 Sensing Time through Materiality 215
- 11 The Importance of the Tunk’ul in the Ritual and Ceremonial Song of the Carnival of Pomuch, Campeche 231
- References 255
- Index 301
- Contributors 307
Chapters in this book
- Front Matter i
- Contents v
- Figures vii
- Tables xi
- Acknowledgments xiii
- 1 Introducing Materialities and Temporalities of Ritual Practice 3
-
Part One Events and Temporalities
- 2 From One Moment to the Next 25
- 3 Over Time 49
- 4 Voice Matters 70
-
Part Two Ritualizing Place
- 5 House, Floor, and Soil 97
- 6 The Role of Altars in Maya Public Rituals of the Early Classic Period 117
- 7 Materiality and Agentivity of House Building Rituals 144
- 8 Heaps of Prayers 162
-
Part Three The Materiality of Sound
- 9 Communities of Engaged Performance 195
- 10 Sensing Time through Materiality 215
- 11 The Importance of the Tunk’ul in the Ritual and Ceremonial Song of the Carnival of Pomuch, Campeche 231
- References 255
- Index 301
- Contributors 307