Fifteen Caves and Art

Chapters in this book

1. Front Matter i
2. Contents vii
3. Foreword ix
4. Preface xv
5. partie I Toward a Working Theory
6. One Anthropology without Informants 5
7. Two A Theoretical Framework for Interpreting Archeological Materials 19
8. Three The Fat of the Land 29
9. partie II An overview of the paleolithic
10. Four By Their Works You Shall Know Them 45
11. Five Paleolithic Polygons 73
12. part III The lower paleolithic
13. Six Torralba and Ambrona 89
14. Seven Were There Scavengers at Torralba? 141
15. part IV The middle paleolithic
16. Eight Kaleidoscope or Tarnished Mirror? 161
17. Nine The Mousterian, Present and Future of a Concept 197
18. Ten Research on the Middle Paleolithic in the Cantabrian Region 213
19. part V Paleolithic art
20. Eleven Meanders on the Byways of Paleolithic Art 241
21. Twelve The Many Faces of Altamira 277
22. Thirteen Techniques of Figure Enhancement in Paleolithic Cave Art 295
23. Fourteen The Cave as Paleolithic Sanctuary 315
24. Fifteen Caves and Art 329
25. part VI The benefits of cooperation
26. Sixteen The Participation of North Americans and Spaniards in Joint Prehistoric Research in Cantabria 345
27. Afterword 359
28. Permissions 363
29. Index 367