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Physics and Picasso
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Daegene Song
Published/Copyright:
June 2, 2014
Paintings from four different periods are considered in chronological order to review an aspect of the ‘advancement’ of arts. In particular, on the basis of a distinction between matter and mind, it is discussed that the Western arts have progressed from involving mainly matter, or objective description, to placing greater emphasis on mind, or subjective imagination. An examination of the advancement of arts may hint that physics, which has dealt with matter so far, may address the aspect of mind in the future.
Received: 2014-3-9
Revised: 2014-4-2
Published Online: 2014-6-2
Published in Print: 2014-9-1
© 1946 – 2014: Verlag der Zeitschrift für Naturforschung
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Articles in the same Issue
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- New Rational Homoclinic Solution and Rogue Wave Solution for the Coupled Nonlinear Schrödinger Equation
- Synthesis and Shape Control of Copper Tin Sulphide Nanocrystals and Formation of Gold–Copper Tin Sulphide Hybrid Nanostructures
- Peristaltic Motion of a non-Newtonian Nanofluid in an Asymmetric Channel
- An Analysis of Peristaltic Flow of Finitely Extendable Nonlinear Elastic- Peterlin Fluid in Two-Dimensional Planar Channel and Axisymmetric Tube
- Application of Rabinowitsch Fluid Model in Peristalsis
- Structural, Stabilities, and Electronic Properties of Bimetallic Mg2-doped Silicon Clusters
- Group Invariant Solutions and Conservation Laws of the Fornberg– Whitham Equation
- Investigations of the Thermal Shifts and Electron–Phonon Coupling Parameters of R1 and R2 Lines for Cr3+-doped Forsterite
