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Chapters in this book
- Frontmatter i
- CONTENTS ix
- Prelude 1
- Overture 7
- Coda 65
- 1 BLUES VERNACULAR AND “HARMONIOUS DISSONANCE” IN GEORGE ELLIOTT CLARKE’S COLOURING PENTATEUCH: BLUE, BLACK, RED, GOLD, AND WHITE 69
- 2 LISTENING TO A LISTENING: THE DISRUPTIVE JAZZ POETICS OF DIONNE BRAND’S OSSUARIES AND THE BLUE CLERK (A CALL TOWARD FREEDOM) 143
- 3 DUB POETICS AND IMPROVISED CHANT IN M. NOURBESE PHILIP’S ZONG! 187
- 4 WAVIN’ THE MULTICULTURAL FLAG: CANADIAN HIP HOP AND “SONIC CITIZENSHIP” IN K’NAAN’S MUSIC 241
- 5 RECOVERY AND REMIX: WAYDE COMPTON’S TURNTABLE POETICS 295
- OUTRO 359
- SHOUT OUTS! 375
- Notes 377
- Selected Discography 419
- Bibliography 423
- Copyright Acknowledgements 445
- Index 447
Chapters in this book
- Frontmatter i
- CONTENTS ix
- Prelude 1
- Overture 7
- Coda 65
- 1 BLUES VERNACULAR AND “HARMONIOUS DISSONANCE” IN GEORGE ELLIOTT CLARKE’S COLOURING PENTATEUCH: BLUE, BLACK, RED, GOLD, AND WHITE 69
- 2 LISTENING TO A LISTENING: THE DISRUPTIVE JAZZ POETICS OF DIONNE BRAND’S OSSUARIES AND THE BLUE CLERK (A CALL TOWARD FREEDOM) 143
- 3 DUB POETICS AND IMPROVISED CHANT IN M. NOURBESE PHILIP’S ZONG! 187
- 4 WAVIN’ THE MULTICULTURAL FLAG: CANADIAN HIP HOP AND “SONIC CITIZENSHIP” IN K’NAAN’S MUSIC 241
- 5 RECOVERY AND REMIX: WAYDE COMPTON’S TURNTABLE POETICS 295
- OUTRO 359
- SHOUT OUTS! 375
- Notes 377
- Selected Discography 419
- Bibliography 423
- Copyright Acknowledgements 445
- Index 447
