Indigenous Poetics in Canada

Neal McLeod grew up Cree on the James Smith Reserve in Saskatchewan and studied at the Swedish Art Academy at Umeå. His 2005 exhibition au fil de mes jours (in my lifetime), at Le Musée national des beaux-arts du Québec, was remounted at the Museum of Civilization in 2007. He has two books of poetry–Songs to Kill a Wîhtikow (2005) and Gabriel’s Beach (2008). Cree Narrative Memory (2007) was nominated for book of the year at the Anskohk McNally Aboriginal Literature Awards. He teaches Indigenous studies at Trent University in Peterborough, Ontario.

Daniel Heath Justice (Cherokee Nation):
``Indigenous Poetics in Canada is that rare book of scholarship that speaks to the heart and spirit as well as the mind. The selections in this collection offer powerful individual and collective insight into the ways that diverse traditions of Indigenous poetics animate our imaginative possibilities and extend our cultural understandings across time, space, and difference. To study Indigenous poetics is to be forcefully reminded of both our historical traditions and their continuing significance, and the poets, writers, scholars, and story-makers featured in this volume are among the most eloquent and insightful voices on the topic today. This is a transformative intervention in Indigenous literary studies as well as the broader canon of Canadian literature, reminding us that questions of aesthetics are always in dynamic relationship with the lived experience of our politicized imaginations in the world.''

B. Carson:
``In a fine introduction, McLeod does an admirable job of framing the essays and interviews to come while giving readers less familiar with indigenous poetics insight into some of the tropes and rhetorical strategies practitioners use, including kiskino (‘things...pointed to, but never completely articulated’), kakêskihkêmowina (‘counselling narratives’), and aniskwâcimopicikêwin (‘the process of connecting stories together’). That this collection exists is at once a challenge to the white publishing world that has long refused to recognize indigenous poetic practices as ‘poetry’ and a testament to the health and vibrancy of the living word of indigenous consciousness.... Summing up: Highly recommended.''