Chapters in this book

1. Front Matter i
2. Contents v
3. List of Illustrations ix
4. Acknowledgements xi
5. Dream Makers
6. Globalizing Indigenous Film and Media 3
7. He Who Dreams: Reflections on an Indigenous Life in Film 41
8. Decolonizing Histories
9. Speakin’ Out Blak: New and Emergent Aboriginal Filmmakers Finding Their Voices 61
10. Taking Pictures B(l)ack: The Work of Tracey Moffatt 81
11. The Journals of Knud Rasmussen: Arctic History as Post/Colonial Cinema 103
12. Australian Indigenous Short Film as a Pedagogical Device: Introducing Wayne Blair’s The Djarn Djarns and Black Talk 131
13. “Once upon a Time in a Land Far, Far Away”: Representations of the Pre-Colonial World in Atanarjuat, Ofelas, and 10 Canoes 143
14. Mediating Practices
15. Ka Whawhai Tonu Ma-tou: Indigenous Television in Aotearoa/New Zealand 175
16. Superhighway across the Sky . . . Aboriginal New Media Arts in Australia: A Remix and Email Conversation between Adam Szymanski and Jenny Fraser 189
17. On Collectivity and the Limits of Collaboration: Caching Igloolik Video in the South 199
18. Documentary Approaches
19. The Prince George Métis Elders Documentary Project: Matching Product with Process in New Forms of Documentary 221
20. “Whacking the Indigenous Funny Bone”: Native Humour and Its Healing Powers in Drew Hayden Taylor’s Redskins, Tricksters and Puppy Stew 233
21. Situating Indigenous Knowledges: The Talking Back of Alanis Obomsawin and Shelley Niro 247
22. “I Wanted to Say How Beautiful We Are”: Cultural Politics in Loretta Todd’s Hands of History 265
23. Other Perspectives
24. Filming Indigeneity as Flânerie: Dialectic and Subtext in Terrance Odette’s Heater 285
25. Playing with Land Issues: Subversive Hybridity in The Price of Milk 301
26. Glossary 315
27. Bibliography 319
28. Index 345
29. Books in the Film+Media Studies Series 374