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1 The Philosophical and Occult Background to the Absolute Film
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Chapters in this book
- Front Matter i
- Contents v
- Preface ix
- Acknowledgements xxxi
-
Modernism and the Absolute Film
- The Philosophical and Occult Background to the Absolute Film 3
- Modernism and the Absolute Film 39
-
Modernism and Revolution
- Spiritual Interests in Late Nineteenth-Century and Early Twentieth-Century Russia 205
- Symbolism and its Legacies 225
- Constructivism between Productivism and Suprematism 265
- Eisenstein, Constructivism, and the Dialectic 279
-
Postscript
- Concluding Unscientific Postscript 439
-
Appendix
- Viking Eggeling’s Diagonal-Symphonie 445
- Index 465
- Film studies is the critical exploration of cinematic texts as art and entertainment 481
Chapters in this book
- Front Matter i
- Contents v
- Preface ix
- Acknowledgements xxxi
-
Modernism and the Absolute Film
- The Philosophical and Occult Background to the Absolute Film 3
- Modernism and the Absolute Film 39
-
Modernism and Revolution
- Spiritual Interests in Late Nineteenth-Century and Early Twentieth-Century Russia 205
- Symbolism and its Legacies 225
- Constructivism between Productivism and Suprematism 265
- Eisenstein, Constructivism, and the Dialectic 279
-
Postscript
- Concluding Unscientific Postscript 439
-
Appendix
- Viking Eggeling’s Diagonal-Symphonie 445
- Index 465
- Film studies is the critical exploration of cinematic texts as art and entertainment 481