Chapter
Licensed
Unlicensed
Requires Authentication
12 Willaert and the Canzone Villanesca
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Foreword vii
- Preface ix
- Contents xiii
- 1 Musica de sono humano and the Musical Poetics of Guido of Arezzo 1
- 2 Dante Musicus: Gothicism, Scholasticism, and Music 13
- 3 Ars Nova and Stil Novo 26
- 4 Polyphonic Music for a Text Attributed to Frederick II 39
- 5 New Glimpses of an Unwritten Tradition 51
- 6 The Oral and Written Traditions of Music 72
- 7 Music and Cultural Tendencies in Fifteenth-Century Italy 80
- 8 Church Polyphony Apropos of a New Fragment at Foligno 113
- 9 Zacara da Teramo 126
- 10 Ricercare and Variations on Ο Rosa Bella 145
- 11 Novelty and Renewal in Italy, 1300-1600 159
- 12 Willaert and the Canzone Villanesca 175
- 13 Notes on Marenzio and Tasso 198
- 14 The Orchestra and Stage in Renaissance Intermedi and Early Opera 210
- 15 Temperaments and Tendencies in the Florentine Camerata 217
- 16 Monteverdi and the Problems of Opera 235
- 17 Theater, Sets, and Music in Monteverdi's Operas 254
- 18 Monteverdi's Poetic Choices 271
- 19 Early Venetian Libretti at Los Angeles 317
- 20 The Lame Horse and the Coachman: News of the Operatic Parnassus in 1642 325
- 21 Falsirena and the Earliest Cavatina 335
- 22 Commedia dell'Arte and Opera 343
- Notes 363
- Index 471
Chapters in this book
- Frontmatter i
- Foreword vii
- Preface ix
- Contents xiii
- 1 Musica de sono humano and the Musical Poetics of Guido of Arezzo 1
- 2 Dante Musicus: Gothicism, Scholasticism, and Music 13
- 3 Ars Nova and Stil Novo 26
- 4 Polyphonic Music for a Text Attributed to Frederick II 39
- 5 New Glimpses of an Unwritten Tradition 51
- 6 The Oral and Written Traditions of Music 72
- 7 Music and Cultural Tendencies in Fifteenth-Century Italy 80
- 8 Church Polyphony Apropos of a New Fragment at Foligno 113
- 9 Zacara da Teramo 126
- 10 Ricercare and Variations on Ο Rosa Bella 145
- 11 Novelty and Renewal in Italy, 1300-1600 159
- 12 Willaert and the Canzone Villanesca 175
- 13 Notes on Marenzio and Tasso 198
- 14 The Orchestra and Stage in Renaissance Intermedi and Early Opera 210
- 15 Temperaments and Tendencies in the Florentine Camerata 217
- 16 Monteverdi and the Problems of Opera 235
- 17 Theater, Sets, and Music in Monteverdi's Operas 254
- 18 Monteverdi's Poetic Choices 271
- 19 Early Venetian Libretti at Los Angeles 317
- 20 The Lame Horse and the Coachman: News of the Operatic Parnassus in 1642 325
- 21 Falsirena and the Earliest Cavatina 335
- 22 Commedia dell'Arte and Opera 343
- Notes 363
- Index 471
