3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice

Home Literary Studies 3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice

Chapter

Licensed

Unlicensed Requires Authentication

3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice

Published by

View more publications by Harvard University Press

To Publisher Page

This chapter is in the book Lyric Shame

MLA
APA
Harvard
Chicago
Vancouver

MLA
APA
Harvard
Chicago
Vancouver

"3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice". Lyric Shame: The "Lyric" Subject of Contemporary American Poetry, Cambridge, MA and London, England: Harvard University Press, 2014, pp. 154-209. https://doi.org/10.4159/harvard.9780674736313.c4

(2014). 3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice. In Lyric Shame: The "Lyric" Subject of Contemporary American Poetry (pp. 154-209). Cambridge, MA and London, England: Harvard University Press. https://doi.org/10.4159/harvard.9780674736313.c4

2014. 3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice. Lyric Shame: The "Lyric" Subject of Contemporary American Poetry. Cambridge, MA and London, England: Harvard University Press, pp. 154-209. https://doi.org/10.4159/harvard.9780674736313.c4

"3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice" In Lyric Shame: The "Lyric" Subject of Contemporary American Poetry, 154-209. Cambridge, MA and London, England: Harvard University Press, 2014. https://doi.org/10.4159/harvard.9780674736313.c4

3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice. In: Lyric Shame: The "Lyric" Subject of Contemporary American Poetry. Cambridge, MA and London, England: Harvard University Press; 2014. p.154-209. https://doi.org/10.4159/harvard.9780674736313.c4

Copy

Copied to clipboard

BibTeX EndNote RIS

You are currently not able to access this content.

Chapters in this book

Frontmatter i
Contents vii
Introduction 1
1 You Ought to Be Ashamed (but Aren’t): Elizabeth Bishop and the Subject of Lyric 42
2. Something for Someone: Anne Sexton, Interpretation, and the Shame of the Confessional 98
3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice 154
4. Tired of Myself: Th e 1990s and the “Lyric Shame” Poem 210
Afterword 265
Notes 273
Acknowledgments 329
Credits 333
Index 337

Search book Search the content of this book

https://doi.org/10.4159/harvard.9780674736313.c4

Chapters in this book

Frontmatter i
Contents vii
Introduction 1
1 You Ought to Be Ashamed (but Aren’t): Elizabeth Bishop and the Subject of Lyric 42
2. Something for Someone: Anne Sexton, Interpretation, and the Shame of the Confessional 98
3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice 154
4. Tired of Myself: Th e 1990s and the “Lyric Shame” Poem 210
Afterword 265
Notes 273
Acknowledgments 329
Credits 333
Index 337

3. “Speaking in Effect”: Identifying (with) Bernadette Mayer’s Shamed Expressive Practice

Chapter PDF View

Chapters in this book

Chapters in this book

Chapters in this book