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16. INDIRECTION AND RESTRAINT
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Kapitel in diesem Buch
- Frontmatter i
- FOREWORD vii
- CONTENTS ix
-
PART I. TECHNIQUE
- 1. PREVIEW 3
- 2. TALK 33
- 3. ACTION 50
- 4. YOUR MOVE 60
- 5. “I” AS PROTAGONIST 82
- 6. “I” AS WITNESS 92
- 7. OBJECTIVE TELLING 101
- 8. STREAM OF EXPERIENCE 125
-
PART II. CONTENT
- 9. READER’S NEEDS 149
- 10. EDITOR’S NEEDS 161
- 11. PLAUSIBILITY 172
- 12. SUSPENSE AND SURPRISE 189
- 13. CHARACTERIZATION 206
- 14. PLACE AND ATMOSPHERE 219
- 15. PLOT versus THEME 231
- 16. INDIRECTION AND RESTRAINT 239
- 17. BEGINNING 247
- 18. LIST OF SHORT STORIES 263
- ACKNOWLEDGMENTS 267
Kapitel in diesem Buch
- Frontmatter i
- FOREWORD vii
- CONTENTS ix
-
PART I. TECHNIQUE
- 1. PREVIEW 3
- 2. TALK 33
- 3. ACTION 50
- 4. YOUR MOVE 60
- 5. “I” AS PROTAGONIST 82
- 6. “I” AS WITNESS 92
- 7. OBJECTIVE TELLING 101
- 8. STREAM OF EXPERIENCE 125
-
PART II. CONTENT
- 9. READER’S NEEDS 149
- 10. EDITOR’S NEEDS 161
- 11. PLAUSIBILITY 172
- 12. SUSPENSE AND SURPRISE 189
- 13. CHARACTERIZATION 206
- 14. PLACE AND ATMOSPHERE 219
- 15. PLOT versus THEME 231
- 16. INDIRECTION AND RESTRAINT 239
- 17. BEGINNING 247
- 18. LIST OF SHORT STORIES 263
- ACKNOWLEDGMENTS 267
