Chapters in this book

1. Frontmatter i
2. FOREWORD ix
3. CONTENTS xv
4. LIST OF ILLUSTRATIONS xvii
5. I. HISTORICAL AND CULTURAL SETTING OF PAINTING IN CATALONIA IN THE SECOND HALF OF THE FIFTEENTH CENTURY 1
6. II. GENERAL CHARACTERISTICS OF CATALAN PAINTING 9
7. III. THE ITALO-GOTHIC AND INTERNATIONAL STYLES IN CATALONIA 19
8. IV. CHRONOLOGY AND GENERAL CHARACTERISTICS OF HUGUET’S WORKS 29
9. V. THE RETABLE OF STS. ABDON AND SENNEN 39
10. VI. THE ALTARPIECE OF THE CONSTABLE OF PORTUGAL 50
11. VII. PERE HUGUET I: HIS RELATION TO JAUME HUGUET 61
12. VIII. WORKS BY JAUME AND PERE HUGUET I 69
13. IX. THE HUGUET-VERGOS QUESTION AND THE RETABLE OF ST. AUGUSTINE 96
14. X. THE ALTARPIECE OF STA. MARIA DE LA MAR 116
15. XI. THE THREE GREAT RETABLES BY JAUME HUGUET 124
16. XII. THE TRIPTYCH OF ST. GEORGE 154
17. XIII. DISCOVERIES AND CONJECTURES MINOR WORKS FROM THE HUGUET ATELIER 160
18. XIV. REFLECTIONS OF HUGUET IN SARDINIA 178
19. XV. GABRIEL GUARDIA 182
20. XVI. VERGOSIANA 193
21. NOTES 200
22. BIBLIOGRAPHY 221
23. INDEX 229
24. ILLUSTRATIONS 237