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8. On the Romantics and the Principles of Milton
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Chapters in this book
- Frontmatter i
- Contents ix
- Preface xi
- Introduction 1
-
Part I: Transcendence
- 1. On the Early Poems 23
- 2. On “L’Allegro” and “Il Penseroso” 76
- 3. On the Work Not Called Comus 101
- 4. On Engagement in A Masque 134
- 5. On “Lycidas” as Primitive Art 166
-
Part II: Engagement
- 6. On the Interstitial Latin Poems and an English Fragment 203
- 7. On the Sonnets and Shorter Poems of the Political Period 220
- 8. On the Romantics and the Principles of Milton 266
-
Part III: Transcendental Engagement
- 9. On History in Paradise Lost 303
- 10. On the Origin in Paradise Lost 340
- 11. On the Verse of Paradise Lost 370
- 12. On the Sublime in Paradise Lost 409
- 13. On Temptation in Paradise Lost 436
- 14. On the End in Paradise Lost 466
- 15. On Late Style in Paradise Regained and Samson Agonistes 499
- Appendix I: References and Texts 553
- Appendix II: Chronology of the Poems 559
- Notes 569
- Index 607
Chapters in this book
- Frontmatter i
- Contents ix
- Preface xi
- Introduction 1
-
Part I: Transcendence
- 1. On the Early Poems 23
- 2. On “L’Allegro” and “Il Penseroso” 76
- 3. On the Work Not Called Comus 101
- 4. On Engagement in A Masque 134
- 5. On “Lycidas” as Primitive Art 166
-
Part II: Engagement
- 6. On the Interstitial Latin Poems and an English Fragment 203
- 7. On the Sonnets and Shorter Poems of the Political Period 220
- 8. On the Romantics and the Principles of Milton 266
-
Part III: Transcendental Engagement
- 9. On History in Paradise Lost 303
- 10. On the Origin in Paradise Lost 340
- 11. On the Verse of Paradise Lost 370
- 12. On the Sublime in Paradise Lost 409
- 13. On Temptation in Paradise Lost 436
- 14. On the End in Paradise Lost 466
- 15. On Late Style in Paradise Regained and Samson Agonistes 499
- Appendix I: References and Texts 553
- Appendix II: Chronology of the Poems 559
- Notes 569
- Index 607