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12 Patterns of Vision, Scenarios of Identification
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Chapters in this book
- Frontmatter i
- Acknowledgments vii
- Contents ix
- Introduction: Cinema Spectatorship and Public Life 1
-
I Rebuilding the Tower of Babel: The Emergence of Spectatorship
- 1 A Cinema in Search of a Spectator: Film-Viewer Relations before Hollywood 23
- 2 Early Audiences: Myths and Models 60
- 3 Chameleon and Catalyst: The Cinema as an Alternative Public Sphere 90
-
II Babel in Babylon: D. W Griffith's Intolerance (1916)
- 4 Reception, Textual System, and Self-Definition 129
- 5 "A Radiant Crazy-Quilt": Patterns of Narration and Address 141
- 6 Genesis, Causes, Concepts of History 163
- 7 Film History, Archaeology, Universal Language 173
- 8 Hieroglyphics, Figurations of Writing 188
- 9 Riddles of Maternity 199
- 10 Crisis of Femininity, Fantasies of Rescue 218
-
III The Return of Babylon: Rudolph Valentino and Female Spectatorship (1921-1926)
- 11 Male Star, Female Fans 245
- 12 Patterns of Vision, Scenarios of Identification 269
- Notes 297
- Illustration Credits 366
- Index 367
Chapters in this book
- Frontmatter i
- Acknowledgments vii
- Contents ix
- Introduction: Cinema Spectatorship and Public Life 1
-
I Rebuilding the Tower of Babel: The Emergence of Spectatorship
- 1 A Cinema in Search of a Spectator: Film-Viewer Relations before Hollywood 23
- 2 Early Audiences: Myths and Models 60
- 3 Chameleon and Catalyst: The Cinema as an Alternative Public Sphere 90
-
II Babel in Babylon: D. W Griffith's Intolerance (1916)
- 4 Reception, Textual System, and Self-Definition 129
- 5 "A Radiant Crazy-Quilt": Patterns of Narration and Address 141
- 6 Genesis, Causes, Concepts of History 163
- 7 Film History, Archaeology, Universal Language 173
- 8 Hieroglyphics, Figurations of Writing 188
- 9 Riddles of Maternity 199
- 10 Crisis of Femininity, Fantasies of Rescue 218
-
III The Return of Babylon: Rudolph Valentino and Female Spectatorship (1921-1926)
- 11 Male Star, Female Fans 245
- 12 Patterns of Vision, Scenarios of Identification 269
- Notes 297
- Illustration Credits 366
- Index 367