Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. INTRODUCTION Uncanny Histories 1
4. Part 1 THE DISCIPLINARY UNCANNY
5. 1 • FILM AND MEDIA IN THE DOUBLE TAKE OF HISTORY 13
6. 2 • HAUNTED BY THE BODY Cleanliness in Colonial Manila’s Film Culture 32
7. 3 • REIMAGINING THE HISTORY OF MEDIA STUDIES THROUGH GAMES, PLAY, AND THE UNCANNY VALLEY 60
8. Part 2 UNCANNY FILMS
9. 4 • FLICKERING LIGHTS AND MISCHIEVOUS STARS The Uncanny Feminism of My Twentieth Century 83
10. 5 • THE SUBLIME BODY UNDER THE SIGN OF DEVELOPMENTALISM The Wolf of Wall Street (2013), Malaysian Politics, and Global Markets 97
11. 6 • UNCANNY HISTORIES OF TRANSNATIONAL CINEMATIC RECEPTION Eisenstein in Cuba 117
12. Part 3 UNCANNY FIGURES
13. 7 • JULIO GARCÍA ESPINOSA AND THE FIGHT FOR A CRITICAL CULTURE IN CUBA 139
14. 8 • THE CASE FOR (RE)COLLECTING LOTTE EISNER’S WORK 162
15. 9 • A WIDOW’S WORK Archives and the Construction of Russian Film History 185
16. 10 • FIENDISH DEVICES The Uncanny History of Almena Davis 205
17. ACKNOWLEDGMENTS 217
18. NOTES ON CONTRIBUTORS 219
19. INDEX 223