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1. “Just Waiting for the Prince to Arrive”: Broadway and Hollywood before the Disney Renaissance, 1982
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Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
- 1. “Just Waiting for the Prince to Arrive”: Broadway and Hollywood before the Disney Renaissance, 1982 23
- 2. “Sort of Like the Sopranos Took Over the Studio”: Regime Change at Disney, 1983–1986 45
- 3. “Make the Audience Fall in Love with Ariel”: Howard Ashman and Alan Menken, The Little Mermaid, and Disney, 1987–1989 68
- 4. “A Celebration of Certain Sensibilities”: Howard Ashman and Alan Menken, Beauty and the Beast, and Disney, 1990–1991 92
- 5. “Like the Old-Fashioned Musicals Did”: Robert Jess Roth, Beauty and the Beast, and Disney, 1992–1994 114
- 6. “I Don’t Do Cute”: Julie Taymor, The Lion King, and Disney, 1994–1998 136
- Conclusion 159
- Acknowledgments 171
- Notes 175
- Index 209
- About the Author 224
Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
- 1. “Just Waiting for the Prince to Arrive”: Broadway and Hollywood before the Disney Renaissance, 1982 23
- 2. “Sort of Like the Sopranos Took Over the Studio”: Regime Change at Disney, 1983–1986 45
- 3. “Make the Audience Fall in Love with Ariel”: Howard Ashman and Alan Menken, The Little Mermaid, and Disney, 1987–1989 68
- 4. “A Celebration of Certain Sensibilities”: Howard Ashman and Alan Menken, Beauty and the Beast, and Disney, 1990–1991 92
- 5. “Like the Old-Fashioned Musicals Did”: Robert Jess Roth, Beauty and the Beast, and Disney, 1992–1994 114
- 6. “I Don’t Do Cute”: Julie Taymor, The Lion King, and Disney, 1994–1998 136
- Conclusion 159
- Acknowledgments 171
- Notes 175
- Index 209
- About the Author 224