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Rutgers University Press
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Indie Cinema Online
Sprache:
Englisch
Veröffentlicht/Copyright:
2020
Über dieses Buch
Indie Cinema Online investigates the changing nature of contemporary American independent cinema in an era of media convergence. Focusing on the ways in which modes of production, distribution, and exhibition are shifting with the advent of online streaming, simultaneous release strategies, and web series, this book analyzes sites such as SundanceTV, YouTube, Netflix, Hulu, and other online spaces as a means of redefining independent cinema in a digital era. Analyzing the intersections among cinema studies, cultural studies, and new media studies within contemporary convergence culture, author Sarah E.S. Sinwell looks at sites of media convergence that are often ignored within most studies of digital media. Emphasizing the ways in which the forms and technologies of media culture have changed during the age of convergence, this book analyzes contemporary production, distribution, and exhibition practices as a means of examining the changing meanings of independent cinema within digital culture.
Information zu Autoren / Herausgebern
SARAH E. S. SINWELL is an assistant professor in the Department of Film and Media Arts at the University of Utah. She has published essays on Kickstarter,Green Porno and Mysterious Skin in A Companion to American Indie Film, Women’s Studies Quarterly and Asexualities: Feminist and Queer Perspectives.
Rezensionen
"Sarah Sinwell's Indie Cinema Online is an engaging and provocative examination of independent cinema in the past two decades. Through detailed case studies, Sinwell captures the promise and the challenge to independent cinema with the current array of release windows and the drastically changed distribution and marketing mechanisms. Sinwell's project opens new avenues to shape our understanding and appreciation of independent cinema in the 21st century."
— Justin Wyatt, author of High Concept: Movies and Marketing in Hollywood"Indie cinema has been moving increasingly online and Sarah Sinwell's book is the first to offer a comprehensive mapping of this new and exciting terrain. Paying attention to the key players in the field and offering a host of interesting examples, the book is an extremely welcome addition to the blossoming field of independent cinema studies."
— Yannis Tzioumakis, author of American Independent CinemaFachgebiete
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Frontmatter
i -
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Contents
vii -
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Introduction: (Re)Defining Independent Cinema in an Era of Convergence
1 -
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1. Indie via Instant Viewing: Now Streaming on Netflix and Hulu
25 -
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2. Simultaneous Release Strategies: Soderbergh and the Screening Room
45 -
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3. DIY Distribution: YouTube, Four Eyed Monsters, and Girl Walks into a Bar
65 -
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4. The Fourth Screen: Sundance, Shorts, and Cell Phones
87 -
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Conclusion: The Future of Indie Cinema Online
105 -
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Acknowledgments
113 -
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Notes
117 -
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Bibliography
149 -
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Mediagraphy
169 -
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Index
175 -
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About the Author
193
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
12. Oktober 2020
eBook ISBN:
9781978814738
Seiten und Bilder/Illustrationen im Buch
eBook ISBN:
9781978814738
Schlagwörter für dieses Buch
Film; Media Studies; Communications; social science; American Studies; Video; History; Criticism; business; economics; industries; digital media; animation; entertainment; art; Sundance; Shorts; Cell Phones; Screening Room; Indie Cinema; online; investigation; merican independent cinema; media convergence; production; exhibition; distribution; online streaming; strategies; web series; cinema studies; cultural studies; technologies; age convergence; contemporary American independent cinema; digital culture; media culture; technology
Zielgruppe(n) für dieses Buch
For universities and colleges of further and higher education
