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Bollywood’s New Woman
Liberalization, Liberation, and Contested Bodies
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Herausgegeben von:
Sprache:
Englisch
Veröffentlicht/Copyright:
2021
Über dieses Buch
Bollywood’s New Woman examines Bollywood’s construction and presentation of the Indian Woman since the 1990s. The groundbreaking collection illuminates the contexts and contours of this contemporary figure that has been identified in sociological and historical discourses as the “New Woman.” On the one hand, this figure is a variant of the fin de siècle phenomenon of the “New Woman” in the United Kingdom and the United States. In the Indian context, the New Woman is a distinct articulation resulting from the nation’s tryst with neoliberal reform, consolidation of the middle class, and the ascendency of aggressive Hindu Right politics.
Information zu Autoren / Herausgebern
MEGHA ANWER is a clinical assistant Professor in the Honors College at Purdue University, West Lafayette, Indiana. Her essays have appeared in journals such as Feminist Media Studies, Review of Education, Pedagogy and Culture, Victorian Studies, Global South, ARIEL, Journal of Postcolonial Writing, Short Film Studies, Journal of Graphic Novels and Comics, and Wide-Screen.
ANUPAMA ARORA is professor of English and women’s and gender studies at the University of Massachusetts, Dartmouth. She is co-editor (with Rajender Kaur) of India in the American Imaginary 1780s-1880s.
ANUPAMA ARORA is professor of English and women’s and gender studies at the University of Massachusetts, Dartmouth. She is co-editor (with Rajender Kaur) of India in the American Imaginary 1780s-1880s.
Rezensionen
"There is an emerging gap in classical narrative or textual analysis which marked the early blossoming of film studies in India. Anwer and Arora’s edited volume on Bollywood’s New Woman addresses precisely this gap by taking the attention back to the text to comment on gender, history and society. This collection of articles, spread across fourteen chapters and four sections attempts to reconfigure screened womanhood from the post-liberalization era."
— Studies in South Asian Film and Media"Insightful and wide-ranging, Bollywood’s New Woman brings together some of the most exciting new scholarship in South Asian film and cultural studies. The figure of the ‘New Woman’ has emerged as the site on which many of India’s current desires and anxieties come to be rehearsed and executed. This anthology is essential reading for anyone interested in gender, politics, and popular culture in contemporary India and beyond."
— Meheli Sen, author of Haunting Bollywood: Gender, Genre and the Supernatural in Hindi Commercial Cinema"These authors deconstruct the tools that filmmakers use and how the characters themselves strategize to assert identity and individuality. Localized, globalized, and contextualized within the larger Indian landscape and yet focusing on the intersections of place, class, caste, and age, the book offers an overview of the New Bollywood Woman."
— Uma Vangal, Quarterly Review of Film and Video"Essays in this exciting and welcome collection show us how India’s economic liberalization ushers in new figurations of women. Tracking Bollywood’s New Woman across revised filmic tropes, unconventional screen bodies, emergent technological formats and cosmopolitan geographies, they reveal gender’s starring role in the unfolding story of India’s neoliberalism and cinema."
— Priya Jaikumar, author of Where Histories Reside: India as Filmed Space"A timely and valuable collection, Bollywood’s New Woman offers a critical assessment of nearly three decades of post-economic liberalization India through a focus on the changes and consistencies, in female characters and stars in Hindi cinema. The close readings situate films in diverse industrial formations—big-budget, small films, multiplex, hatke—that shape the many manifestations of these ‘new’ women. And, the perceptive readings anchored in genres, star texts, and new media skillfully show how these ‘new’ women navigate, question, and/or embrace the tradition/modern dyad in neoliberal and Hindu nationalist India."
— Monika Mehta, author of Censorship and Sexuality in Bombay CinemaFachgebiete
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Frontmatter
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Contents
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Introduction
1 - PART I. Family and Nation
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Chapter 1. Mompreneur in the Multiplex
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Chapter 2. Lethal Acts
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Chapter 3. Beyond the Couple Form
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Chapter 4. Mera Saaya
66 - PART II. Body Matters
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Chapter 5. New Womanhood and #LipstickRebellion
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Chapter 6. Queering Bollywood
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Chapter 7. Plus-Size Femininity
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Chapter 8. The Many Bodies of Vidya Balan
118 - PART III. Geographies of the New Woman
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Chapter 9. Out of India
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Chapter 10. Learning to Love The(ir) World
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Chapter 11. Single in the City
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Chapter 12. Glocal Women
168 - PART IV. New Media and the New Woman
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Chapter 13. All Broken Up and Dancing
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Chapter 14. Reshaping “Bollywood”
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Acknowledgments
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Notes on Contributors
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Index
211
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
15. Juli 2021
eBook ISBN:
9781978814486
Seiten und Bilder/Illustrationen im Buch
eBook ISBN:
9781978814486
Schlagwörter für dieses Buch
liberalization; liberation; Bollywood; India; Indian women; neoliberal; reform; middle class; Hinduism; Hindu right politics; representation; cinema; sexuality; femininity; Yash Raj; media studies; gender studies; Asian studies; popular culture; new woman; body positive; plus size; politics; contemporary; hindi cinema; 1990s films; neoliberal india; female protaganists; consolidation; ascendency of aggressive Hindu Right politics.
Zielgruppe(n) für dieses Buch
For universities and colleges of further and higher education
