Chapters in this book

1. Frontmatter i
2. Contents v
3. Introduction 1
4. 1. Shifting Social Media and the Idle No More Movement 14
5. 2. From #Mniwiconi to #StandwithStandingRock: How the #NoDAPL Movement Disrupted Physical and Virtual Spaces and Brought Indigenous Liberation to the Forefront of People’s Minds 32
6. 3. Anger, Hope, and Love: The Affective Economies of Indigenous Social Media Activism 48
7. 4. Responding to White Supremacy: An Analysis of Twitter Messages by Māori after the Christchurch Terrorist Attack 65
8. 5. The Imazighen of Morocco and the Diaspora on Facebook: Indigenous Cultural and Language Revitalization 80
9. 6. How We Connect: An Indigenous Feminist Approach to Digital Methods 93
10. 7. Indigenous Social Activism Using Twitter: Amplifying Voices Using #MMIWG 112
11. 8. Radical Relationality in the Native Twitterverse: Indigenous Women, Indigenous Feminisms, and (Re)writing/(Re)righting Resistance on #NativeTwitter 125
12. 9. The Rise of Black Rainbow: Queering and Indigenizing Digital Media Strategies, Resistance, and Change 140
13. 10. Artivism: The Role of Art and Social Media in the Movement 157
14. 11. Interview with Debbie Reese, Creator of the Blog American Indians in Children’s Literature 170
15. 12. United Front: Indigenous Peoples’ Resistance in the Online Metal Scene 185
16. 13. Interview with Carly Wallace, Creator of “CJay’s Vines” 196
17. 14. “We’re Alive and Thriving . . . We’re Modern, We’re Human, We’re Here!”: The 1491s’ Social Media Activism 218
18. Acknowledgments 235
19. Notes on Contributors 239
20. Index 245