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8. Trajectories and Concluding Remarks
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Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Introduction 1
-
Part I. Early Film in San Francisco
- 1. Bold Visions and Frontier Conditions: The Emergence of Film in San Francisco 25
- 2. “If I Had the Power to Do So I Would Destroy Them with My Own Hands”: Film and Politics in Post-quake San Francisco 44
-
Part II. Chinatown Exhibition and Movie Theaters
- 3. “The Most Cosmopolitan City in the World”: Chinese San Francisco at the Turn of the Twentieth Century 67
- 4. “Eyes Darting Around, Spirit Dashing About”: Mapping Chinatown Film Culture, 1906–1915 85
- 5. The Chinesque Aesthetic: Orientalist Stereotypes in Post-quake Film Culture 119
-
Part III. Chinese American Audiences
- 6. “Where the People Aren’t All American”: Chinatown Audiences and Spectators 145
- 7. Chinatown Modernity: Revolutions and Movie Theaters 176
- 8. Trajectories and Concluding Remarks 195
- Acknowledgments 203
- Notes 207
- Bibliography 257
- Index 273
- About the Author 289
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Introduction 1
-
Part I. Early Film in San Francisco
- 1. Bold Visions and Frontier Conditions: The Emergence of Film in San Francisco 25
- 2. “If I Had the Power to Do So I Would Destroy Them with My Own Hands”: Film and Politics in Post-quake San Francisco 44
-
Part II. Chinatown Exhibition and Movie Theaters
- 3. “The Most Cosmopolitan City in the World”: Chinese San Francisco at the Turn of the Twentieth Century 67
- 4. “Eyes Darting Around, Spirit Dashing About”: Mapping Chinatown Film Culture, 1906–1915 85
- 5. The Chinesque Aesthetic: Orientalist Stereotypes in Post-quake Film Culture 119
-
Part III. Chinese American Audiences
- 6. “Where the People Aren’t All American”: Chinatown Audiences and Spectators 145
- 7. Chinatown Modernity: Revolutions and Movie Theaters 176
- 8. Trajectories and Concluding Remarks 195
- Acknowledgments 203
- Notes 207
- Bibliography 257
- Index 273
- About the Author 289